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Sans Superellipse Ikreg 4 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'ATF Railroad Gothic' by ATF Collection, 'Akkordeon' by Emtype Foundry, 'PG Gothique' by Paulo Goode, and 'Heading Now' by Zetafonts (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, logos, punchy, confident, playful, poster-like, sporty, max impact, brand presence, friendly strength, modern utility, display emphasis, blocky, rounded, compact, soft corners, high impact.


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A heavy, geometric sans with rounded-rectangle (superellipse) construction and softened corners throughout. Strokes are uniformly thick with minimal modulation, producing dense silhouettes and strong, even color. Counters are compact and often vertically oriented, while curves read as broad, controlled arcs rather than fully circular forms. The lowercase is large relative to the caps, with short extenders and tight internal space that emphasizes solidity. Overall spacing appears sturdy and compact, optimized for impact rather than airy texture.

Best suited to headlines, posters, and display settings where maximum impact and quick recognition are needed. It also works well for branding applications like logos, packaging, and sports or event graphics that benefit from a sturdy, rounded-geom aesthetic. For longer text, it will generally perform better at larger sizes with ample spacing to counter its dense texture.

The font conveys a bold, assertive tone with a friendly edge from its rounded geometry. It feels contemporary and energetic—more sporty and promotional than formal—suggesting straightforward messaging and high visibility. The chunky forms also lend a slightly playful, toy-like warmth when set in large sizes.

The design appears intended to deliver a compact, high-impact display voice built from rounded-rectilinear geometry. Its consistent weight, tight counters, and sturdy proportions prioritize bold presence and clarity at a glance, while the softened corners keep the overall feel approachable rather than severe.

Diagonal structures (e.g., in K, V, W, X, Y, Z) are strongly braced and broad, reinforcing a rugged, engineered feel. Numerals match the same compact, block-forward logic, maintaining consistent weight and presence alongside letters. In paragraphs, the dense blackness can become imposing, making it most comfortable when given generous leading or used in shorter bursts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸