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Free for Commercial Use

Sans Normal Utgan 2 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'AC Texto' by Antoine Crama and 'FF Meta', 'FF Meta Hebrew', 'FF Unit', and 'FF Unit Rounded' by FontFont (names referenced only for comparison).

Keywords: branding, headlines, posters, product ui, signage, clean, forward-leaning, sporty, modern, technical, motion, clarity, modernity, utility, streamlining, oblique, geometric, rounded, crisp, compact.


Free for commercial use
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A slanted, sans-serif design with smooth, round curves and evenly weighted strokes. The forms are built from simple geometric shapes—clean bowls, open apertures, and compact counters—giving the letters a tidy, controlled rhythm. Terminals are mostly straight and crisp, while rounded letters like C, O, and G stay soft and continuous; diagonals in A, V, W, and X read sharp and stable. Uppercase feels sturdy and slightly condensed in impression, while the lowercase keeps a straightforward, workmanlike structure with single-storey a and g and a compact, upright i/j with round dots. Numerals follow the same oblique construction, with simple, legible shapes and consistent stroke thickness.

This font is well suited to branding and headline settings where a modern, dynamic tone is desired without sacrificing clarity. Its consistent oblique rhythm and simple shapes also make it a good fit for product UI, dashboards, and wayfinding/signage that benefits from a crisp, contemporary voice.

The overall tone is modern and purposeful, with an energetic lean that suggests motion and efficiency. It feels clean and contemporary rather than expressive, projecting a practical, engineered character suitable for streamlined branding and interfaces.

The design appears intended as a streamlined oblique sans that delivers a sense of speed and modernity while keeping letterforms simple and highly legible. The geometric construction and restrained detailing point to a functional, system-friendly display and text companion for contemporary communication.

The italic angle is consistent across cases and numerals, producing a coherent rightward flow in text. Spacing appears balanced and even in the sample paragraph, and the punctuation and dots read clearly at display sizes due to their solid, round forms.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸