Sans Superellipse Pymib 2 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'PG Gothique', 'PG Gothique Variable', 'PG Grotesque', and 'PG Grotesque Variable' by Paulo Goode (names referenced only for comparison).
Keywords: ui text, product design, wayfinding, editorial, presentations, clean, modern, neutral, friendly, utilitarian, clarity, versatility, approachability, modernity, rounded corners, open apertures, geometric, even rhythm, high legibility.
A clean, rounded sans with softly squared (superellipse-like) curves and uniform stroke thickness. The outlines are smooth and controlled, with a straight, stable stance and a consistent, contemporary rhythm. Counters are generally open and spacious, and terminals tend to finish in gently rounded ends rather than sharp cuts, keeping the texture even in both uppercase and lowercase. Numerals match the letterforms with simple, clear shapes and similarly softened joins.
Well suited to interface and product typography where clarity at a range of sizes is important, as well as signage and informational layouts that benefit from open shapes. Its neutral texture also makes it a dependable choice for editorial or presentation settings that need a contemporary, unobtrusive voice.
The overall tone is modern and understated, with a friendly softness coming from the rounded corners and smooth curves. It reads as neutral and practical rather than expressive, projecting clarity and approachability in continuous text.
The design appears intended as a versatile, general-purpose sans that stays readable and composed while introducing a gentle, rounded geometry for a more approachable feel. It prioritizes consistent rhythm and clean construction for dependable use across headings and body text.
Distinctive cues include the softly rectangular feel in round letters (like O/C/G), the single-storey lowercase forms (notably a and g), and a generally wide, calm spacing that supports readability. The design balances geometric construction with slightly humanized rounding, avoiding harsh angles while keeping forms crisp.