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Serif Contrasted Uppe 3 is a regular weight, wide, very high contrast, upright, normal x-height font visually similar to 'Bodoni Elegant' by Alan Meeks, 'Parmesan Revolution' by RM&WD, and 'Otama' by Tim Donaldson (names referenced only for comparison).

Keywords: headlines, editorial, magazines, branding, posters, luxury, fashion, dramatic, refined, display elegance, luxury tone, editorial impact, classical revival, headline clarity, hairline serifs, vertical stress, didone-like, crisp terminals, sharp joins.


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This serif presents a sharply contrasted, display-oriented construction with sturdy vertical stems and extremely fine hairlines. Serifs are thin and crisp with minimal bracketing, and the overall stress reads strongly vertical, producing a polished, high-fashion rhythm. Proportions lean broad with generous counters; curves are smooth and taut, while joins and terminals stay clean and precise. In text, the strong thick–thin pattern creates a pronounced sparkle and a distinctly graphic texture, especially in round letters and figures.

Best suited for headlines, subheads, and large-format editorial typography where contrast and hairline detail can print or render cleanly. It works well for fashion and beauty branding, magazine covers, posters, and packaging accents; for long body copy or small UI sizes, the hairlines may require careful sizing and production conditions.

The tone is elegant and high-impact, evoking luxury publishing and runway branding. Its dramatic contrast and polished detailing feel formal, contemporary-classic, and attention-seeking rather than casual.

The design appears intended to deliver a modern, high-fashion take on a classical high-contrast serif: broad, confident letterforms paired with razor-thin detailing for maximum visual drama. It prioritizes elegance and impact in display settings while keeping familiar serif structures for readable, editorial composition.

Uppercase forms carry a stately presence with wide silhouettes and crisp hairline details, while the lowercase maintains a straightforward, bookish structure that still reads distinctly display due to the contrast. Numerals follow the same high-contrast logic and appear suited to stylish headings and pull quotes where their sculpted shapes can be appreciated.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸