Sans Superellipse Pilif 10 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'Delgos' by Typebae (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, logos, industrial, retro, utilitarian, punchy, technical, space-saving, impact, industrial tone, geometric clarity, rounded, condensed, blocky, geometric, monoline.
A condensed, monoline sans with a strongly geometric construction built from rounded-rectangle and superelliptic shapes. Strokes are heavy and even, terminals are mostly squared-off with softened corners, and curves resolve into tight, controlled radii rather than broad circular bowls. Counters are compact and often vertically oriented, giving letters a tall, stacked rhythm; the overall texture is dense and uniform, with clear, high-impact silhouettes. Numerals and capitals follow the same rigid geometry, and punctuation appears simple and sturdy to match the weight and tight proportions.
Best suited to headlines and display typography where its compact width and heavy, uniform strokes can deliver strong presence. It works well for signage, packaging, labels, and logo wordmarks that benefit from an industrial, geometric voice, and it can also serve as a punchy UI or interface accent in short strings.
The tone feels industrial and functional, with a retro signage and machine-label sensibility. Its compressed stance and squared curves convey efficiency and firmness, reading as technical and no-nonsense while still approachable due to the rounded corners.
The design appears intended to combine high-impact legibility with a tightly engineered, geometric look, using rounded-rectangle curves to create a distinctive, modernized industrial aesthetic. Its condensed proportions suggest it was made to fit more characters into limited horizontal space while maintaining bold, consistent texture.
Round letters like O and Q read more like rounded rectangles than circles, and many forms emphasize verticality over width, which strengthens the condensed rhythm. The bold, uniform stroke and compact apertures can create a solid “wall of type” effect in longer lines, favoring short, emphatic settings.