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Free for Commercial Use

Sans Superellipse Usbo 12 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Miura' by DSType, 'Vito' by Dots&Stripes Type, and 'Anantason Reno' and 'Bantat' by Jipatype (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, modern, techy, confident, friendly, sturdy, impact, clarity, brand voice, modernity, approachability, geometric, rounded corners, squared curves, compact apertures, uniform stroke.


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This sans serif is built from squared-off geometry with generously rounded corners, giving curves a superelliptical, rounded-rectangle feel rather than true circles. Strokes are heavy and even with minimal contrast, producing strong color on the page and stable rhythm in text. Many joins and terminals are cut cleanly and decisively, with broad horizontals and verticals and fairly tight internal spaces; counters tend to be compact, and apertures read more closed than open. Numerals and capitals share the same robust construction, with rounded bowls and firm, flattened transitions that emphasize a engineered, modular structure.

Best suited to display use where its chunky, rounded-square structure can carry impact—headlines, posters, identity systems, packaging, and bold signage. It can also work for short UI labels or product marketing copy when a firm, modern voice is desired, though longer passages may feel dense due to the tight counters and strong overall color.

The overall tone is contemporary and assertive while staying approachable. Its softened corners keep it from feeling harsh, but the dense weight and compact counters give it a purposeful, industrial confidence that reads well in tech-forward and product-centric contexts.

The design appears intended to deliver a modern, engineered sans with softened geometry—combining the clarity of a constructed grotesk with the friendliness of rounded corners. Its emphasis on repeated superelliptical forms suggests a goal of strong brand recognition and high-impact readability at larger sizes.

In text settings the heavy weight creates a strong typographic presence and short word-shapes, with rounded-square forms repeating across letters like C, G, O, and S. The design favors consistency over calligraphic nuance, making it feel systematic and grid-aligned.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸