Sans Superellipse Uska 2 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Miura' by DSType, 'FF Good' by FontFont, 'Gltp Starion' by Glowtype, 'Moveo Sans' by Green Type, 'Graphico Devanagari' by Indian Type Foundry, and 'Boxley' by Shinntype (names referenced only for comparison).
Keywords: headlines, branding, posters, packaging, ui, friendly, confident, modern, techy, chunky, modernization, approachability, clarity, impact, rounded, geometric, squared, soft, sturdy.
A heavy, geometric sans with superellipse construction: counters and outer curves read as rounded rectangles rather than pure circles. Strokes are consistently thick with minimal contrast, terminals are clean and mostly square-cut, and corners are generously radiused for a soft but solid silhouette. Proportions are broad with ample internal space, producing open counters in letters like O, e, and a, while joins stay compact and sturdy. Numerals and capitals share the same blocky, rounded-rect rhythm, giving the design a cohesive, system-like texture in text.
Best suited for headlines and short-to-medium display copy where its broad, rounded geometry can read clearly and set a strong voice. It works well for branding and packaging that want a friendly, sturdy presence, and can also support UI or product typography where rounded-rectangle forms echo interface and hardware aesthetics.
The overall tone is approachable and contemporary—confident without feeling aggressive. Its rounded-rect geometry adds a friendly, product-design vibe while the weight and width project sturdiness and clarity, leaning toward a modern UI and tech-brand feel.
The design appears intended to blend geometric efficiency with warmth: a simplified, superellipse-led skeleton that stays highly legible while projecting a bold, contemporary personality. It prioritizes consistent shapes and a clean, engineered rhythm over calligraphic nuance.
The lowercase uses single-storey forms (notably a and g), reinforcing the geometric, simplified construction. Round letters (O, C, G) appear slightly squarer than typical grotesques, which strengthens the superellipse character and helps maintain a consistent rhythm across mixed-case settings.