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Free for Commercial Use

Slab Contrasted Ablu 1 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Calanda' and 'Cargan' by Hoftype; 'Gaspo Slab', 'Newslab', 'Sanchez', and 'Sánchez Niu' by Latinotype; and 'Paul Slab' and 'Paul Slab Soft' by artill (names referenced only for comparison).

Keywords: headlines, editorial, posters, packaging, signage, sturdy, vintage, confident, workmanlike, impact, legibility, print tradition, editorial tone, utility, slab serif, bracketed serifs, ball terminals, ink-trap hints, closed apertures.


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This typeface is a robust slab serif with heavy, squared serifs and subtly bracketed joins that soften the transitions into stems. Strokes are mostly even, but with a mild, noticeable modulation that adds a slightly traditional, printed feel rather than a purely geometric one. Counters are compact and apertures tend to be fairly closed, giving the face a dense, emphatic color in text. Lowercase forms are sturdy and pragmatic, with a single-storey “a” and “g,” and rounded details like the ball terminal on “f” adding character. Figures are weighty and highly legible, with clear, wide shapes that match the strong headline presence of the letters.

It suits headlines, decks, and pull quotes where a firm, attention-grabbing slab serif is needed. It can also work well for editorial branding, posters, and packaging that want a traditional print voice with modern punch, and for signage where bold letterforms and sturdy serifs help maintain clarity.

The overall tone is authoritative and grounded, with a classic, editorial sensibility that reads as dependable and no-nonsense. Its heavy slabs and dense texture convey confidence and solidity, while the slightly softened shaping keeps it from feeling purely industrial.

The design appears intended to deliver a strong, classic slab-serif presence with enough modulation and detailing to feel rooted in print traditions. It prioritizes impact and legibility, aiming for a confident, utilitarian voice that still carries editorial character.

In the text sample the face maintains a strong, consistent rhythm with prominent word shapes and a pronounced typographic “stamp” on the page. The combination of compact counters and heavy serifs increases visual weight quickly, making it feel especially impactful at larger sizes or in short text runs.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸