Serif Other Ubha 3 is a regular weight, narrow, monoline, upright, normal x-height font.
Keywords: headlines, posters, logos, game titles, album covers, gothic, art deco, futuristic, occult, monumental, thematic display, stylized readability, emblematic impact, historic-futurist blend, angular, geometric, spiky, high contrast, chiseled.
A geometric, angular serif design built from mostly straight strokes and crisp right angles, with frequent triangular notches and wedge-like terminals that read as stylized serifs. Counters are often rectangular or squared-off, and curved letters are rendered with faceted, near-rectilinear arcs, giving the set a constructed, modular feel. The stroke treatment is largely even, but the pointed terminals and occasional flared joins introduce sharp accents that create a spiky silhouette in letters like K, M, N, V, W, X, and Y. Overall spacing and proportions skew compact, with tall, narrow forms and tightly framed counters that maintain a consistent rhythm across caps, lowercase, and numerals.
Best suited for display typography where its angular serifs and distinctive silhouettes can be appreciated—headlines, posters, branding marks, and short taglines. It also fits genre-forward contexts such as games, fantasy/sci-fi packaging, event titles, and editorial features that want a stylized, emblematic voice.
The font projects a dramatic, archaic-meets-modern tone—part blackletter severity, part machine-age geometry. Its pointed serifs and chiseled corners suggest ceremonial or mythic associations, while the rectilinear construction adds a cool, technical edge. The result feels assertive and theatrical, with a slightly ominous, emblematic presence.
The design appears intended to fuse traditional serif cues with a highly geometric, decorative construction, emphasizing sharp terminals and squared counters to create strong silhouettes. It prioritizes character and thematic atmosphere over neutrality, aiming for a memorable, sign-like texture in larger settings.
The sample text shows clear word-shape differentiation despite the stylization, but the sharp internal corners and tight apertures can become visually busy at smaller sizes. Numerals follow the same squared, cut-in aesthetic (notably the angular 2 and 3 and the boxed 8/9 forms), supporting cohesive titling and display use.