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Free for Commercial Use

Sans Normal Abdur 9 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Croih' by 38-lineart, 'BD Megatoya' by Balibilly Design, 'BB Casual Pro' by Bold Studio, 'Urania' by Hoftype, and 'Crique Grotesk' and 'Eastlane' by Stawix (names referenced only for comparison).

Keywords: ui text, signage, product branding, editorial, presentations, modern, clean, technical, neutral, efficient, clarity, modernization, emphasis, utility, neutrality, oblique, monoline, open apertures, round terminals, airy spacing.


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This is an oblique, monoline sans with smooth, rounded bowls and cleanly cut terminals. Curves are built from broad circular arcs, while straights keep a consistent stroke weight, giving the design an even, low‑drama texture. Proportions lean slightly wide and open, with generous counters in letters like C, O, e, and a, and a single-storey a and g that keep the lowercase simple and legible. The uppercase is straightforward and geometric, and the numerals follow the same rounded, open construction with a clear, contemporary rhythm.

It suits interface copy, dashboards, and product experiences where a clean oblique sans can provide emphasis without heavy stylistic distraction. The open counters and even stroke color also make it a solid choice for editorial pull quotes, slide decks, and straightforward branding or wayfinding where an energetic but restrained slant is useful.

The overall tone is modern and matter-of-fact, with an understated, utilitarian feel. Its oblique stance adds motion and a mild sporty edge without becoming expressive or calligraphic. The consistent geometry and open shapes read as clean, efficient, and tech-adjacent.

The design appears intended as a practical oblique companion for modern sans typography, prioritizing smooth geometry, consistent rhythm, and clear letterforms. Its simplified lowercase and open shapes suggest an emphasis on clarity and contemporary neutrality, with the slant providing built-in emphasis and forward motion.

Round joins and gently curved shoulders help the design stay smooth at larger sizes, while the open apertures in characters such as e, c, and s support clarity in running text. Diagonals in letters like K, V, W, X, and Y are crisp and consistent, reinforcing a precise, engineered impression.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸