Sans Other Lyry 11 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'CF Asty' by Fonts.GR, 'Proper Tavern' by Larin Type Co, and 'TT Norms Pro' by TypeType (names referenced only for comparison).
Keywords: posters, headlines, branding, packaging, signage, stencil, industrial, rugged, playful, bold, stencil aesthetic, high impact, rugged branding, signage clarity, rounded, chunky, cutout, blunted, irregular.
A chunky display sans with heavy, rounded strokes and frequent stencil-like interruptions that create small bridges and cutouts inside counters and along terminals. Shapes are generally wide and blocky, with softened corners and slightly irregular edges that feel more hand-cut than mechanically perfect. Counters tend to be compact and sometimes segmented (notably in O/Q/8/9 and several lowercase forms), giving the alphabet a distinctive broken-solid rhythm. Spacing reads generous and the overall texture is dense, with simplified geometry and minimal internal detailing.
Best suited to display settings where the stencil cutouts and chunky silhouettes can read clearly—posters, headlines, branding marks, packaging, and bold signage. It works especially well when you want a rugged or industrial flavor without sharp, aggressive corners, and can add personality to short phrases, labels, and themed graphics.
The tone is tough and utilitarian, evoking stamped lettering, spray-mask stencils, and rugged signage, but the rounded corners and uneven cuts keep it friendly rather than severe. It feels energetic and characterful, with a casual, DIY attitude suited to attention-grabbing statements.
The design appears intended to merge a bold, approachable sans skeleton with a stencil construction, delivering strong impact and instant thematic signaling. The rounded, blunted geometry suggests an aim for high visibility and a friendly toughness, balancing industrial cues with playful irregularity.
The stencil breaks are a consistent motif across both letters and numerals, producing strong silhouette recognition at larger sizes while introducing intentional fragmentation in smaller apertures. The sample text shows a steady baseline and sturdy forms that maintain impact in long lines, with the cutouts providing visual sparkle and preventing the heavy weight from turning into a solid blob.