Sans Other Ingen 11 is a bold, normal width, low contrast, italic, normal x-height font.
Keywords: headlines, posters, branding, sports, packaging, energetic, sporty, playful, dynamic, confident, visual impact, sense of speed, modern display, branding voice, slanted, oblique, rounded, chunky, compact.
A heavy, slanted sans with low-contrast strokes and compact internal counters that create a dense, high-impact texture. The forms are broadly geometric with softened corners, but the stroke endings often cut on diagonals, giving the face a brisk, forward-leaning rhythm. Curves are full and smooth in letters like O and C, while many straight-sided glyphs (E, F, T, L) show angled terminals that read as intentionally “shaved” rather than crisp right angles. The lowercase maintains a sturdy, simplified construction with a single-storey a and g, a modestly tall ascender in d, and a short, functional crossbar on t; figures are similarly robust and built for emphasis.
Works best in headlines, posters, and short promotional copy where its weight and slant can convey speed and confidence. It also fits branding, sports-themed graphics, packaging, and event collateral that benefit from a bold, kinetic sans voice. For smaller sizes or dense paragraphs, the compact counters may reduce clarity compared to more open text faces.
The overall tone is fast, punchy, and upbeat, with a clear sense of motion from the consistent slant and wedge-like terminals. It feels contemporary and informal—more expressive than neutral—suited to attention-grabbing messaging rather than quiet editorial reading.
The design appears intended to deliver a modern, high-impact sans with a built-in sense of motion, using angled terminals and a consistent slant to differentiate it from standard italicized grotesks. Its simplified lowercase and sturdy numerals suggest a focus on versatile display typography for advertising and identity-driven applications.
Wide joins and tight apertures (notably in S and e) push the design toward display use, where its strong silhouette and distinctive angled cuts stay recognizable. The uppercase has a poster-like presence, while the lowercase keeps the same energetic cadence for longer lines without becoming delicate.