Sans Other Ufnof 3 is a very light, normal width, low contrast, upright, normal x-height font.
Keywords: headlines, posters, branding, editorial, packaging, minimalist, airy, modern, technical, refined, modernization, distinctiveness, minimal display, constructed geometry, lightweight elegance, monoline, geometric, rounded, open counters, high apertures.
A monoline sans with thin, even strokes and generous internal space. The construction leans geometric with large circular forms (notably in C/O/Q) and long, clean verticals, while joints stay crisp and unbracketed. Terminals are predominantly flat and straight-cut, with a mix of near-perfect rounds and taut diagonals that create a sparse, linear texture. Several glyphs show deliberate, idiosyncratic cuts and gaps—especially in rounded letters and some numerals—giving the set a constructed, modular feel rather than a purely neutral grotesk.
Best suited to display settings such as headlines, brand marks, posters, and editorial titling where its airy rhythm and constructed details can read clearly. It can also work for short UI or label text when used at comfortable sizes and with ample spacing, but it is most effective when given room to breathe.
The overall tone is quiet, precise, and contemporary, with a slightly experimental edge. Its thin lines and open forms feel calm and design-forward, while the intentional breaks and simplified geometry add a subtle technical, schematic character.
The design appears intended to deliver a clean, modern sans voice while introducing controlled, unconventional cuts that differentiate it from generic minimalist faces. The goal seems to be a refined display style that stays legible through open geometry and consistent stroke logic, yet signals a custom, contemporary identity.
In text, the light stroke and wide openings keep words from becoming dense, but the distinctive interruptions in bowls and the simplified joins make the design more expressive than a standard utility sans. The figures follow the same spare logic, with clean curves and occasional linear interruptions that echo the uppercase construction.