Sans Faceted Anda 4 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'QB One' by BoxTube Labs, 'FF Oxide Solid' by FontFont, 'KP Duty JNL' by Jeff Levine, 'Block Capitals' by K-Type, 'Evanston Tavern' by Kimmy Design, 'Gemsbuck Pro' by Studio Fat Cat, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, logos, sports branding, packaging, industrial, athletic, techno, retro, assertive, impact, durability, machined look, retro tech, chamfered, angular, blocky, octagonal, stencil-like.
A heavy, geometric sans with faceted construction: curves are largely replaced by straight segments and chamfered corners, producing an octagonal, cut-metal silhouette. Strokes are consistently thick with a monoline feel, while counters are compact and mostly rectangular, giving the alphabet a dense, poster-forward color. Proportions lean wide and stable, with squared terminals and crisp joins that keep forms rigid and mechanical. Numerals and capitals share the same clipped-corner logic, maintaining a uniform, modular rhythm across the set.
Best suited to display roles where bold geometry is an asset: headlines, posters, event graphics, product packaging, and logo/wordmark work that benefits from an athletic or industrial voice. It can also serve for labels, UI headers, and signage when high visual punch is preferred over long-form readability.
The faceted shapes and blunt massing convey an industrial, no-nonsense tone that reads as sporty and techno-adjacent. Its sharp geometry feels utilitarian and engineered, with a retro arcade/scoreboard edge that emphasizes impact over subtlety.
The design appears intended to deliver maximum impact through faceted, chamfered letterforms that mimic cut or milled shapes, offering a strong, engineered aesthetic while remaining straightforward and sans in structure.
At smaller sizes the tight counters and hard angles can begin to visually merge, while at display sizes the chamfers and planar facets become a defining texture. The lowercase follows the same angular system as the uppercase, reinforcing a cohesive, constructed look in running text despite the overall display-first personality.