Sans Other Olvo 5 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Stallman' and 'Stallman Round' by Par Défaut and 'Monbloc' by Rui Nogueira (names referenced only for comparison).
Keywords: game ui, posters, headlines, logos, tech branding, techno, arcade, industrial, futuristic, retro, display impact, digital aesthetic, modular construction, high legibility, octagonal, angular, blocky, chamfered, geometric.
A heavily constructed sans with squared, octagonal forms and consistent, straight-sided strokes. Curves are largely replaced by hard corners, chamfers, and stepped diagonals, producing a pixel-like rhythm even at larger sizes. Counters tend to be rectangular and tight, with frequent notches and clipped terminals that create a mechanical, built-from-blocks feel. Overall spacing appears sturdy and deliberate, emphasizing solid silhouettes and high contrast between filled shapes and interior cutouts.
Best suited to display applications such as game UI, posters, event graphics, and bold branding where its angular construction can carry the composition. It can also work for short labels, buttons, and interface headings in tech-themed layouts, especially when paired with simpler text faces for longer reading.
The tone is distinctly digital and game-adjacent, evoking arcade titles, sci‑fi interfaces, and industrial labeling. Its sharp geometry and cut-in details feel assertive and engineered, lending a bold, utilitarian confidence with a retro-futurist edge.
The design appears intended to translate a digital, modular construction into a clean vector style—prioritizing strong silhouettes, crisp angles, and distinctive cut details. It aims to deliver an immediately recognizable techno/arcade voice while maintaining consistent geometry across uppercase, lowercase, and figures.
Distinctive stencil-like interruptions and wedge cuts show up in several letters, adding visual texture and helping differentiate similar forms. The design reads best when the angular detailing has room to breathe; at small sizes the tight counters and internal cuts may visually merge, while at display sizes the constructed style becomes a defining feature.