Sans Superellipse Bomif 12 is a very light, normal width, monoline, upright, tall x-height font.
Keywords: ui labels, app design, tech branding, headlines, editorial display, futuristic, minimal, technical, clean, airy, systematic design, modernization, geometric clarity, interface friendliness, rounded corners, geometric, soft square, open counters, extended ascenders.
This typeface is built from thin, even strokes and rounded-rectangle geometry, with curves resolving into soft corners rather than fully circular bowls. Capitals feel tall and streamlined, with simplified structures and generous internal space; round letters like O and Q read as squarish superellipses, and curved terminals are consistently rounded. Lowercase follows the same modular logic with a high-looking x-height, long ascenders and descenders, and single-storey forms; overall spacing appears open, giving the design a light, breathable texture. Numerals are similarly geometric and schematic, with clear, linear construction and softened corners that keep the set visually unified.
Best suited to digital UI, dashboards, and product labeling where a thin, geometric voice reads as modern and unobtrusive. It also works well for contemporary branding, logotypes, and large-size headlines where the rounded-rectangle construction becomes a defining visual signature; for long passages, it will be most comfortable at moderate sizes with ample line spacing.
The overall tone is contemporary and tech-forward, with a calm, precise rhythm that suggests interface design and modern product aesthetics. Its rounded-square construction softens the voice, keeping it approachable while still feeling engineered and systematic.
The design intent appears to be a streamlined geometric sans that replaces circular forms with rounded-square superellipses for a distinct, system-like identity. It prioritizes consistency, legibility, and a contemporary tech sensibility through restrained detailing and a uniform stroke language.
The design leans on distinctive superelliptical bowls and rounded joints, creating a recognizable silhouette in letters like C, G, O, Q, and D. Angled letters (K, V, W, X, Y) use sharp diagonals against the otherwise rounded system, adding crisp contrast without breaking the monoline consistency. The sample text shows strong consistency across mixed case and punctuation, with a clean baseline and steady letterfit that favors clarity over ornament.