Sans Other Jiwa 5 is a regular weight, wide, monoline, upright, short x-height font.
Keywords: headlines, display, ui labels, posters, branding, futuristic, tech, digital, modular, industrial, sci‑fi display, tech branding, modular system, screen aesthetic, angular, square, geometric, cornered, stencil-like.
A geometric, rectilinear sans built from straight strokes with squared terminals and frequent chamfered corners. Curves are largely replaced by octagonal and rectangular constructions, producing boxy counters in letters like O and Q and a tightly controlled, modular rhythm. Proportions skew wide with a low x-height, and several glyphs show intentionally simplified joins and open shapes (notably in S and some diagonals), giving the design a constructed, schematic feel. Numerals follow the same hard-edged logic, with angular forms and minimal curvature that keep texture consistent across mixed text.
Best suited to display settings where its angular construction can be appreciated: headlines, posters, logotypes, product branding, and UI labels for tech or gaming contexts. It can work for short paragraphs or interface copy when set with generous tracking and ample size, where the faceted counters and simplified curves remain clear.
The overall tone reads futuristic and technical, with a slightly game/UI flavor due to its pixel-adjacent geometry and engineered letterforms. Its sharp corners and gridlike structure suggest machinery, circuitry, and sci‑fi interfaces rather than editorial warmth.
The design appears intended to translate a grid-driven, engineered aesthetic into a readable sans, prioritizing sharp geometry and consistent stroke behavior over traditional calligraphic curves. It aims for a distinctive, forward-looking voice that signals technology and modernity while remaining structurally coherent across uppercase, lowercase, and numerals.
Diagonal strokes are treated as crisp, straight segments that often meet with clipped joints, and bowls are rendered as faceted loops rather than smooth curves. Spacing appears designed to preserve a clean, modular line, though the varying glyph widths create a dynamic, mechanical cadence in longer passages.