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Sans Normal Wudad 18 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Akzidenz-Grotesk Next' by Berthold, 'Allrounder Grotesk Compressed' by Identity Letters, 'Applied Sans' and 'Helvetica Now' by Monotype, 'Pragmatica' by ParaType, 'NeoGram' by The Northern Block, 'Germalt' by Typesketchbook, and 'Kropotkin Std' by sugargliderz (names referenced only for comparison).

Keywords: posters, album covers, headlines, streetwear, packaging, grunge, distressed, rough, handmade, punk, add texture, evoke print wear, signal rebellion, create impact, blocky, textured, irregular, rugged, stamped.


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A heavy, blocky sans with strongly rounded bowls and compact apertures, built from simple geometric-ish forms that feel cut from solid shapes. The defining feature is an irregular, distressed edge treatment: contours wobble, corners look chipped, and counters are slightly uneven, creating a worn, printed texture. Strokes stay broadly consistent in thickness, with subtle notches and bite marks along the outline that give each glyph a rough, tactile silhouette. Spacing and widths vary modestly across characters, helping the set feel natural and less mechanical while remaining clearly legible.

Best suited for short, high-impact copy such as posters, album/EP artwork, event flyers, bold headlines, and apparel graphics. It can work for packaging or labels where a rugged, handmade tone is desired, and is most effective when given enough size for the edge texture to read.

The font conveys a gritty, DIY attitude—like ink dragged through a screen, a weathered stencil, or type stamped on rough paper. It reads energetic and rebellious rather than refined, with a rawness that suggests underground music culture, zines, and distressed branding.

The design appears intended to deliver a bold sans structure with an intentionally degraded surface, mimicking worn print processes and creating instant character without relying on ornament. It prioritizes attitude and texture while keeping letterforms straightforward enough for quick recognition.

The distressed treatment is consistent across capitals, lowercase, and numerals, so texture remains visible even in running text. At smaller sizes the rough edges may visually fill in, while at display sizes the chipped contour becomes the main stylistic voice.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸