Hollow Other Vimy 2 is a very bold, normal width, very high contrast, upright, tall x-height font.
Keywords: posters, headlines, halloween, stickers, packaging, playful, spooky, cartoon, gooey, retro, novelty display, themed mood, texture effect, bold impact, rounded, blobby, bubble-like, inked, chunky.
A heavy, rounded display face built from bulbous, soft-cornered forms with uneven, organic contours. Strokes are largely monoline in mass but punctuated by irregular internal knockouts and highlight-like cut-ins, creating a hollowed, drippy texture within the letter bodies. Counters are generally tight and simplified, terminals are blunt, and curves dominate over sharp joins, with occasional quirky protrusions that vary glyph to glyph. The x-height reads tall and the overall silhouette stays compact and chunky, while individual letters show small width fluctuations that add a hand-drawn rhythm.
Best suited to posters, event flyers, cover art, and bold headlines where the chunky silhouettes and interior cutouts can read at a glance. It also works well for Halloween-themed graphics, playful packaging, stickers, and kids-oriented or comic-inspired branding where texture and character are more important than long-form readability.
The font projects a mischievous, comic tone with a slightly eerie, slime-and-ink aesthetic. Its internal cutouts and lumpy silhouettes evoke Halloween signage, playful monsters, and retro novelty lettering, balancing cute and creepy without feeling aggressive.
The design appears intended as a characterful display font that uses irregular internal knockouts to simulate glossy highlights or drips, adding motion and personality to otherwise simple rounded forms. The goal seems to be instant visual impact and a quirky, themed voice rather than typographic neutrality.
In text, the dense black shapes and interior knockouts create a lively sparkle, but the tight counters and busy interiors can reduce clarity at smaller sizes. The numerals and lowercase maintain the same blobby language, helping headings and short phrases feel cohesive across mixed case and figures.