Sans Superellipse Voda 3 is a regular weight, very wide, monoline, upright, normal x-height font.
Keywords: tech branding, ui titles, product logos, gaming, posters, futuristic, tech, sleek, space-age, precision, sci-fi styling, digital clarity, geometric coherence, branding impact, interface feel, rounded corners, squared curves, geometric, streamlined, modular.
A geometric sans built from squared-off curves and superellipse-like bowls, combining straight segments with generously rounded corners. Strokes are consistently even, with smooth, continuous curves and a clean, engineered rhythm. Counters tend toward rounded rectangles, giving letters like O, D, and P a soft-square footprint, while diagonals (A, V, W, X, Y) are sharp and crisp. Terminals are mostly flat or subtly rounded, and the overall spacing and proportions read expansive and open, with a distinctly wide stance in many capitals and numerals.
This font is well suited to technology and software branding, product marks, and interface-style titles where a futuristic, engineered aesthetic is desired. It also performs well for posters, gaming graphics, and packaging that benefits from wide, geometric letterforms with rounded-square bowls. For body copy, it works best at larger sizes where its distinctive construction and open counters remain clear.
The design projects a modern, technological tone—cool, controlled, and slightly sci‑fi. Its rounded-square geometry feels like interface typography and industrial labeling, balancing friendliness from the softened corners with a precise, machine-made finish.
The letterforms suggest an intention to reinterpret a neutral sans through a superellipse, rounded-rectangle geometry, aiming for a contemporary, digital feel. The consistent monoline construction and softened corners point to a design optimized for clean reproduction in modern layouts while maintaining a recognizable, stylized voice.
Distinctive details include the superellipse construction across both uppercase and lowercase, and the boxy, display-like figures where curves resolve into squared forms rather than circles. The lowercase maintains the same modular logic (notably in a, e, g, and s), supporting a cohesive look in longer text while keeping a strong headline character.