Sans Normal Edmoj 5 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Resolve Sans' by Fenotype and 'Supria Sans Condensed' by HVD Fonts (names referenced only for comparison).
Keywords: ui text, editorial, branding, signage, presentations, modern, clear, friendly, dynamic, neutral, emphasis, readability, versatility, modernity, oblique, humanist, open apertures, rounded terminals, soft curves.
This is an oblique sans with clean, rounded construction and a steady, low-contrast stroke. Curves are smooth and generously open, giving letters like C, G, S, and e a breathable feel, while verticals remain crisp and consistent. Proportions are balanced with a moderate x-height and uncomplicated forms; counters stay open and punctuation is straightforward, supporting legibility in continuous text. Figures follow the same restrained, rounded logic and sit comfortably alongside the letters without calling attention to themselves.
It works well for UI and product text where a gentle oblique can emphasize hierarchy without becoming decorative. The open forms and steady texture also suit editorial subheads, captions, and general-purpose branding, and it should remain clear in wayfinding and presentation settings where quick recognition matters.
The overall tone is modern and approachable, with the slanted stance adding motion and a slightly informal energy. It reads as calm and functional rather than expressive, making it suitable when you want a contemporary voice that doesn’t feel rigid.
The design appears intended as a dependable, contemporary italic companion for everyday typography—prioritizing legibility, even color, and a subtle sense of forward motion. Its restrained detailing suggests a focus on versatility across both short labels and longer passages.
The slant is uniform and controlled, and the rhythm across mixed case is even, with no abrupt quirks in joins or terminals. The design favors clarity through open shapes and smooth curvature, which helps maintain readability as lines get longer.