Sans Other Lobak 4 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Miura' by DSType, 'Branding SF' by Latinotype, and 'Klint' by Linotype (names referenced only for comparison).
Keywords: posters, headlines, packaging, signage, logos, playful, hand-cut, quirky, bold, rustic, handmade feel, display impact, craft tone, poster voice, angular, chiselled, irregular, blocky, textured.
A heavy, compact sans with a hand-cut, chiseled construction. Strokes are predominantly monolinear but rendered with angular facets and slightly uneven contours, producing a stamped or carved silhouette rather than a smooth geometric outline. Counters stay open and sturdy, with squared-off terminals and frequent diagonal cuts that create a lively, irregular rhythm across words. The lowercase is simple and workmanlike, with single-storey forms and a modest x-height relative to the tall, blunt capitals; figures are stout and built from the same faceted shapes.
Well suited for posters, short headlines, and branding where a bold, handmade texture is desirable. It can add personality to packaging, labels, event graphics, and signage, especially in high-contrast color setups. For longer passages, use generous size and spacing to preserve clarity.
The overall tone is spirited and handmade, suggesting craft signage and cut-paper lettering. Its rough-hewn edges and emphatic weight feel friendly and informal, with a slightly mischievous, comic edge rather than a polished corporate voice.
The font appears designed to deliver a strong, attention-grabbing sans voice while retaining the charm of hand-cut lettering. Its faceted, imperfect edges and compact forms prioritize character and impact over neutrality, aiming for a crafted, tactile feel in display typography.
The design reads best at display sizes where the angular facets and uneven stroke edges can be appreciated; in tighter settings the rugged detailing can visually thicken joins and reduce interior whitespace. The width and shaping vary noticeably from glyph to glyph, adding character but making the texture feel intentionally irregular.