Sans Normal Ofdep 19 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'BR Candor', 'BR Firma', and 'BR Segma' by Brink and 'TT Commons™️ Pro' by TypeType (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, friendly, modern, bold, high impact, clear signage, modern branding, simple geometry, geometric, rounded, compact, clean, sturdy.
A heavy, geometric sans with broad proportions and large, open counters. Strokes are uniformly thick with smooth curves and crisp, squared terminals, giving the outlines a clean, machined finish. Round letters are close to circular, diagonals are stable and not overly sharp, and joins stay simple and uncluttered. Spacing appears generous for the weight, helping maintain clarity in dense settings, while the overall rhythm stays even and emphatic.
Best suited for display applications such as headlines, posters, branding systems, packaging, and high-visibility signage where strong silhouette and quick readability matter. It can also work for short UI labels or callouts when a bold, modern voice is desired, but it is less appropriate for extended body copy due to its visual density.
The tone is assertive and straightforward, with a friendly, approachable softness coming from the rounded geometry. It reads as contemporary and energetic rather than delicate, projecting reliability and impact. The overall feel suits messaging that wants to be direct and highly visible without becoming aggressive.
The design appears intended as a contemporary, geometric display sans that maximizes impact and legibility through sturdy shapes, open counters, and simplified details. It prioritizes clean construction and consistent stroke behavior to perform well in loud typographic layouts and identity work.
Distinctive details include a single-storey lowercase “a” and “g,” a round, prominent i/j dot, and numeral shapes that lean toward simple, sign-like construction for quick recognition. The heavy weight and broad forms keep letterforms from collapsing, though the mass can dominate at smaller sizes or in long passages.