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Free for Commercial Use

Sans Normal Tuday 1 is a very bold, wide, high contrast, italic, normal x-height font visually similar to 'Optima' by Linotype, 'Indecise' by Tipo Pèpel, and 'Blacker Sans Pro' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, branding, sports, packaging, sporty, retro, confident, punchy, assertive, impact, motion, promotion, display, headline, slanted, compact joins, open counters, dynamic, rounded.


Free for commercial use
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This typeface is a heavy, right-slanted sans with rounded construction and pronounced thick–thin modulation that reads like a display italic. Curves are smooth and full, with open, generous counters in letters like O, P, R, and e, while joins and terminals tend to be clean and blunt rather than flared. The rhythm is energetic: diagonals and bowls lean forward consistently, and many glyphs show subtle, tensioned curves that keep the silhouettes lively. Numerals are bold and sculpted with clear interior shapes, designed to hold up at larger sizes.

Best suited for headlines, short bursts of copy, and large-scale applications where its weight and forward slant can carry the message. It works well for branding and packaging that need a confident, high-energy voice, and for sports or promotional graphics where impact and motion are desirable. Use more sparingly for long passages, as the dense color and slant dominate the page.

The overall tone is bold and energetic, with a forward-driving slant that feels sporty and promotional. Its thick, rounded forms and lively contrast give it a slightly retro, sign-and-poster character while still feeling contemporary and confident. The texture is attention-grabbing and emphatic, suited to statements rather than quiet reading.

The design appears intended to deliver maximum impact with a sense of motion, pairing rounded sans forms with a strong italic posture and sculpted contrast. It prioritizes bold presence and quick recognition in display settings, aiming for a sporty, poster-ready voice that remains legible through open counters and clean terminals.

In text, the strong slant and weight create a dense, high-impact typographic color, especially in all-caps. The open counters help maintain clarity despite the heavy strokes, and the rounded shapes keep the voice friendly rather than harsh. The figures and capitals feel particularly headline-oriented, with sturdy silhouettes and clear differentiation.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸