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Free for Commercial Use

Sans Superellipse Honeg 6 is a very bold, wide, low contrast, upright, tall x-height font visually similar to 'Handel Gothic' by Bitstream, 'EF Handel Sans' and 'Handel Gothic EF' by Elsner+Flake, 'ITC Handel Gothic' and 'ITC Handel Gothic Arabic' by ITC, 'Handel Gothic' by Linotype, and 'Handel Gothic' by Tilde (names referenced only for comparison).

Keywords: headlines, logos, packaging, posters, ui display, tech, futuristic, confident, friendly, sporty, impact, modern branding, geometric clarity, digital display, rounded, geometric, blocky, compact, soft corners.


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A heavy, geometric sans with squared-off superellipse curves and consistently softened corners. Strokes are uniform and dense, with broad, stable capitals and a tall, sturdy lowercase that keeps counters relatively small and controlled. Round letters (O, C, G, e) read as rounded rectangles rather than circles, while diagonals (A, V, W, X, Z) are straight and crisp with minimal taper. Terminals are mostly horizontal or vertical, producing a compact, engineered rhythm that stays clear even at large display sizes.

Best suited for bold headlines, branding, and logo work where strong silhouettes and a modern geometric personality are desirable. It also works well for large UI labels, app headers, sports/tech packaging, and poster typography where high-impact, rounded-square forms help maintain clarity and character.

The overall tone feels modern and assertive, with a clean, tech-forward friendliness created by the rounded-square geometry. Its weight and wide stance project strength and impact, while the softened corners keep it approachable rather than harsh. The effect sits comfortably in contemporary UI/brand territory, with a subtle sci‑fi or industrial flavor.

Likely designed to deliver maximum presence with a distinctly geometric, rounded-rectangle construction—combining strong legibility with a contemporary, technology-leaning aesthetic. The simplified forms and consistent curvature suggest an emphasis on clean reproduction across digital and print display contexts.

The numerals share the same squared-round construction, with a notably geometric, segmented feel in forms like 2, 3, and 7. Lowercase shapes maintain a functional, simplified structure (single-storey a and g), reinforcing a straightforward, contemporary voice.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸