Sans Normal Tymak 7 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Astoria Sans' by Alan Meeks, 'City Boys' and 'City Boys Soft' by Dharma Type, 'Levnam' by ParaType, 'Masny' by Tour De Force, and 'Petala Pro' by Typefolio (names referenced only for comparison).
Keywords: headlines, posters, logo design, packaging, signage, confident, friendly, sporty, punchy, modern, impact, approachability, brand presence, clarity, display emphasis, rounded, blocky, heavyweight, compact, high-impact.
A heavy, rounded sans with broad proportions and compact internal counters. Strokes are consistently thick with smooth curve transitions, producing sturdy, simplified silhouettes in both uppercase and lowercase. Terminals read mostly blunt and clean, and curves (C, O, S, a, e) are built from generous arcs that keep the texture even in dense settings. Figures are bold and straightforward, matching the letterforms with similarly rounded geometry and solid weight distribution.
Best suited for large-scale display work where weight and width can do the heavy lifting—headlines, posters, outdoor and wayfinding signage, packaging, and bold brand marks. It can also work for short UI labels or callouts when strong emphasis is needed, but extended body copy may feel overly dense due to the compact counters and heavy texture.
The tone is assertive and upbeat, leaning toward approachable rather than severe. Its rounded construction softens the mass of the strokes, giving it a friendly, contemporary feel while still delivering strong impact. Overall it suggests energetic branding and clear, no-nonsense messaging.
The design appears aimed at delivering maximum impact with a clean, contemporary construction: a rounded, high-ink footprint that stays legible and cohesive in big sizes. It prioritizes bold presence and straightforward forms, suggesting use in energetic branding and attention-grabbing typography.
In the sample text, the font maintains a dark, uniform color that prioritizes presence over delicacy; tight counters and thick joins can make long paragraphs feel dense at smaller sizes. Uppercase forms read especially stable and poster-ready, while lowercase retains a simple, workmanlike rhythm without decorative quirks.