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Free for Commercial Use

Inverted Gadi 2 is a very bold, very narrow, medium contrast, upright, normal x-height font.

Keywords: posters, headlines, branding, packaging, event promos, playful, spooky, circus, vintage, quirky, thematic display, attention grab, vintage flavor, novelty texture, decorative, posterlike, cutout, wavy, high impact.


Free for commercial use
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A decorative display face built from tall, condensed silhouettes with irregular, softly warped sides and rounded-rectangle counters. Many letters appear as solid black blocks with carved, stencil-like inner shapes, creating a punched, inverted look where interior forms read as bright cutouts. Strokes vary subtly in thickness through pinched joins and flared terminals, and several glyphs lean on exaggerated verticals with occasional wedge-like feet or caps. The overall rhythm is uneven by design, with small asymmetries and lively internal cutouts that keep the texture busy at text sizes.

Best suited to posters, headlines, and title treatments where the carved interiors can stay open and recognizable. It works well for branding and packaging that wants a bold, vintage-showcard personality, and for event promotion—especially themes like carnival, magic, horror, or novelty entertainment. Use at larger sizes with generous tracking to prevent counters from clogging.

The font projects a theatrical, slightly eerie energy—part sideshow poster, part Halloween headline. Its blocky massing feels bold and assertive, while the quirky inner voids and wobbly contours add mischief and handmade charm. The result is attention-grabbing and characterful rather than neutral or refined.

The design appears intended to deliver maximum impact through condensed, blocky forms while adding personality via cutout counters and irregular contours. It prioritizes a distinctive, themed texture over continuous readability, aiming for expressive display typography that feels handcrafted and theatrical.

Counters are often narrow and stylized, so legibility drops quickly at small sizes or in dense settings. The figures follow the same carved-block logic as the letters, producing a cohesive set that reads best when given ample size and spacing. The sample text shows strong word-shape contrast but a visually busy color that benefits from shorter lines and simple layouts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸