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Free for Commercial Use

Sans Superellipse Oknod 5 is a bold, narrow, low contrast, upright, normal x-height font.

Keywords: display, branding, posters, packaging, ui labels, futuristic, techy, playful, retro, modular, geometric system, tech aesthetic, display impact, brand voice, rounded, rectilinear, geometric, monoline, stencil-like.


Free for commercial use
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This typeface is built from rounded-rectangle geometry with softly squared corners and largely monoline strokes. Counters and apertures tend to be rectangular and neatly radiused, creating a consistent superelliptical rhythm across both cases and figures. Many joins and terminals feel engineered and modular, with occasional open forms and simplified diagonals that keep the texture clean and uncluttered. Spacing reads even in text, and the overall silhouette emphasizes compact, blocky letterforms with a smooth, contemporary finish.

Best suited to display-driven work where its rounded-rect geometry can define the visual voice—logotypes, tech branding, product packaging, posters, and editorial headers. It also performs well for concise on-screen labels and interface-style graphics where a clean, modular texture is desirable. For longer passages, it will read most comfortably at generous sizes and with ample line spacing.

The overall tone feels futuristic and interface-oriented, with a friendly softness coming from the rounded corners. Its modular construction also gives it a slightly retro sci‑fi flavor, suggesting digital displays and product design aesthetics. Despite the geometric strictness, the forms remain approachable and playful rather than severe.

The design appears intended to translate rounded-rectangle, industrial geometry into a coherent alphabet with a smooth, modern texture. By standardizing corners, stroke widths, and counter shapes, it aims to deliver a distinctive techno voice that remains readable and consistent across mixed-case text and numerals.

Distinctive rectangular counters and rounded internal corners give the face a strong identity at both headline and short-text sizes. Several glyphs use simplified construction (notably in diagonals and curved letters), which increases stylistic cohesion but may prioritize character over conventional letterfit in more formal settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸