Hollow Other Ilry 8 is a light, normal width, low contrast, reverse italic, normal x-height font.
Keywords: headlines, posters, logotypes, packaging, event flyers, technical, playful, retro, skeletal, quirky, decorative display, graphic texture, constructed look, retro futurism, brand voice, inline, outlined, monoline, rounded, tilted.
This is a monoline, hollow outline design with rounded corners and an inline, segmented interior structure that reads like paneled tubing. The letters are consistently tilted backward, giving the face a distinctive reverse-slant rhythm. Strokes remain even and open, with occasional internal breaks and irregular segment joins that create a hand-assembled, constructed feel. Proportions stay broadly geometric and compact, with generous counters and simplified terminals that keep the outline clean and airy in text.
Best suited for short, attention-grabbing settings such as headlines, posters, branding wordmarks, packaging accents, and event or music flyers. The outlined construction and internal paneling are most legible and visually rewarding at medium-to-large sizes, where the segmented inline details can be appreciated.
The font conveys a technical-but-playful tone—part blueprint, part neon tube, part schematic lettering. Its reverse slant and internal panel lines add a quirky, slightly futuristic energy while still feeling approachable and retro-leaning. Overall, it reads as decorative and expressive rather than neutral.
The design appears intended to reinterpret a simple rounded sans into a constructed, hollow display style by adding pane-like interior divisions and a reverse slant. The goal seems to be a distinctive, graphic texture that feels engineered and illustrative while remaining readable in large, bold statements.
In the sample text, the hollow outlines keep color light on the page, while the interior segmentation adds texture that becomes more noticeable at display sizes. The reverse slant is a defining cue and gives lines of text a distinctive left-leaning motion, making it best treated as a stylistic voice rather than a workhorse text face.