Sans Superellipse Ragob 5 is a bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Raleigh Gothic Condensed' by GroupType, 'Etrusco Now' by Italiantype, 'Editorial Comment JNL' and 'Evening Edition JNL' by Jeff Levine, 'Hype vol 3' by Positype, 'Agharti' by That That Creative, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, branding, condensed, industrial, assertive, utilitarian, modern, space saving, high impact, modern utility, signage clarity, monoline, vertical, compact, square-rounded, tight.
A compact, vertically stressed sans with monoline strokes and tightly condensed proportions. Curves are built from rounded-rectangle geometry, giving bowls and counters a squared-off softness rather than true circles. Terminals are clean and blunt, joins are crisp, and the overall rhythm is tight with minimal internal space, keeping letters legible while feeling compressed. Figures follow the same narrow, high-rise construction, with consistent stroke weight and straightforward, signage-like forms.
Best suited for display settings where space is limited but impact is needed—headlines, posters, packaging, and bold brand wordmarks. The compact widths also make it effective for labels, navigation and wayfinding, and other signage-style applications that benefit from strong vertical economy.
The overall tone is direct and no-nonsense, with a functional, industrial voice. Its tight, tall silhouettes and squared-rounded curves read as contemporary and engineered, projecting confidence and clarity rather than warmth or delicacy.
The design appears intended to deliver high-impact readability in narrow columns, combining a modern condensed silhouette with rounded-rectangular construction for a controlled, engineered look. It prioritizes a strong, consistent texture that holds up in attention-grabbing typography.
The condensed width and reduced counters create strong vertical texture in text, especially in uppercase runs. Round letters (like O/C/G) appear more superelliptic than circular, which reinforces a structured, modular feel across both letters and numerals.