Sans Superellipse Kifo 6 is a bold, wide, low contrast, italic, normal x-height font visually similar to 'Puck' by Type.p and 'Geon' and 'Geon Soft' by cretype (names referenced only for comparison).
Keywords: headlines, branding, posters, ui labels, signage, sporty, tech, dynamic, confident, friendly, modernize, soften geometry, add momentum, increase impact, rounded, soft corners, compact curves, oblique, geometric.
A rounded, geometric sans with an oblique stance and sturdy, even stroke weight. Letterforms are built from softened, superellipse-like shapes: corners are consistently radiused, curves are broad, and terminals tend to finish with smooth, squared-off ends rather than sharp cuts. Counters are relatively tight in letters like a, e, and s, while round forms (o, 0, 8) read as rounded rectangles, giving the face a controlled, engineered rhythm. Lowercase forms lean toward single-storey constructions (notably a and g), with a simple, open structure and minimal internal detailing.
Best suited to short-form display use such as headlines, brand marks, sports/tech packaging, and promotional graphics where its bold, rounded geometry can carry personality. It also works well for UI labels, buttons, and signage-style typography when a friendly but assertive presence is needed, especially at medium to large sizes.
The overall tone is energetic and contemporary, combining a friendly softness from the rounded geometry with a fast, forward-leaning feel from the oblique slant. It reads confident and utilitarian, with a subtle sporty/technical character that suits modern interface and branding aesthetics.
The design appears intended to merge geometric precision with approachable, rounded forms, delivering a modern oblique sans that feels fast and contemporary without becoming harsh. Its consistent corner radius and compact, engineered curves suggest a focus on strong silhouettes and recognizable shapes in display and interface contexts.
Numerals are sturdy and highly stylized in the same rounded-rectangle language, with clear differentiation between figures (notably the open curves in 2 and 3, and the compact loops in 8). The italic angle is consistent across caps, lowercase, and figures, and the heavy weight keeps small apertures from feeling fragile while still maintaining clean silhouettes at larger sizes.