Sans Superellipse Akmy 13 is a regular weight, normal width, low contrast, upright, normal x-height font.
Keywords: ui labels, app branding, signage, dashboards, packaging, techy, clean, utilitarian, modern, friendly, clarity, modernization, systematic feel, approachability, rounded, superelliptic, squared, monoline, geometric.
This typeface is a monolinear sans with a squared, superellipse-driven construction: round characters resolve into rounded-rectangle bowls and counters, while corners and terminals are consistently softened. Curves feel engineered rather than calligraphic, with smooth joins, uniform stroke weight, and compact, orderly proportions. Uppercase forms are straight-sided and structured, and the lowercase follows the same geometric logic, keeping bowls and stems crisp while relying on rounded corners for warmth. Numerals and punctuation echo the same squared-round rhythm, producing a highly consistent texture in lines of text.
It suits user interfaces, dashboards, and product surfaces where a clean, modern voice is needed and letterforms must remain clear in short labels. The geometric, rounded construction also works well for contemporary branding and packaging, and can read confidently in wayfinding or environmental graphics when set large.
The overall tone reads modern and technical, like interface lettering designed to feel precise but approachable. Rounded corners keep it from feeling harsh, giving it a friendly, product-oriented character while maintaining a no-nonsense, utilitarian clarity.
The design appears intended to blend clarity with a distinctive, squared-round identity—delivering a functional sans for modern digital contexts while using superellipse-like curves to create a cohesive, branded look.
Distinctive squared-round bowls (notably in letters like O, C, G, and e) create a recognizable silhouette that holds up well at display sizes. The design’s consistent corner radii and straight-sided curves give text a measured, modular rhythm that feels aligned with contemporary digital aesthetics.