Sans Superellipse Pygef 10 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'Acumin' by Adobe, 'Newhouse DT' by DTP Types, 'Otoiwo Grotesk' by Pepper Type, 'Ordina' by Schriftlabor, and 'Jane Roe' by deFharo (names referenced only for comparison).
Keywords: headlines, posters, packaging, branding, ui labels, modern, compact, utilitarian, confident, technical, space economy, strong impact, clean geometry, contemporary utility, geometric, rounded, rectilinear, sturdy, high-waist.
This typeface presents a compact, condensed sans built from geometric, rounded-rectangle forms. Curves read as superelliptical rather than fully circular, giving bowls and counters a squared-off softness, while stroke terminals are clean and flat. The overall rhythm is tight and efficient, with short extenders, firm joins, and consistently heavy strokes that keep interior counters relatively small. Capitals are tall and straight-sided, and the lowercase shows a high-waisted construction with single-storey a and g and minimal modulation across the set.
It works best where a compact, high-impact sans is needed—headlines, short subheads, labels, and space-constrained UI or editorial applications. The dense weight and condensed width help maximize copy in narrow columns while maintaining a solid, contemporary presence in display settings.
The tone is modern and pragmatic, with a confident, no-nonsense presence. Its rounded-rect geometry adds a subtle friendliness, but the condensed proportions and dense color keep the voice disciplined and technical rather than playful.
The design appears intended to merge a geometric, rounded-rectangle skeleton with a condensed, display-forward build, prioritizing economy of space and strong visual punch. Its consistent stroke behavior and tidy terminals suggest an aim for clarity and repeatable rhythm across signage- and interface-like scenarios.
Text samples show strong horizontal density and a dark, even typographic color, which can make long lines feel assertive. Numerals appear straightforward and sturdy, matching the squared-round motif seen in the letterforms.