Hollow Other Abgu 2 is a very bold, normal width, very high contrast, upright, normal x-height font visually similar to 'Frankfurter' by ITC, 'Corkboard JNL' by Jeff Levine, 'Sebino Soft' by Nine Font, 'Qilka' by RahagitaType, 'Frankfurter SB' and 'Frankfurter SH' by Scangraphic Digital Type Collection, and 'Gorda' by Zeptonn (names referenced only for comparison).
Keywords: headlines, logos, packaging, posters, stickers, playful, bubbly, retro, candy-like, comic, novelty display, youthful branding, retro flair, dimensional effect, rounded, soft terminals, puffy, bulbous, chunky.
A heavy, rounded display face built from puffy, near-monoline strokes with generous curves and soft, blunted terminals. Forms lean toward geometric circles and capsules, with compact counters and simplified joins that keep the silhouette bold and cohesive. Many glyphs include small internal knockouts and highlight-like cut-ins that read as glossy cutouts, adding extra contrast and texture inside the otherwise solid shapes. Overall spacing feels roomy for a display style, while widths vary by character in a natural, friendly rhythm.
Best suited for short, high-impact text such as headlines, logos, product packaging, posters, and playful social graphics where the glossy cutouts can be appreciated. It will be most effective at medium to large sizes, where the interior knockouts and tight counters remain clear.
The font projects a cheerful, toy-like energy with a retro snack-pack feel. Its glossy internal cutouts suggest shine and softness, giving the letters a lively, animated tone that fits lighthearted, attention-grabbing messaging.
The design appears intended as a friendly, high-impact display font that mixes balloon-like letterforms with decorative internal cutouts to create a shiny, dimensional impression. It prioritizes bold silhouette recognition and characterful texture over neutrality or long-form readability.
Uppercase and lowercase share a consistent rounded construction, with single-storey lowercase forms and simplified geometry that favors smooth continuity over sharp detail. The numerals match the same inflated aesthetic, and the interior cutouts stay small enough to read as stylization rather than true stencil breaks.