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Free for Commercial Use

Wacky Niba 2 is a bold, normal width, low contrast, upright, normal x-height font.

Keywords: posters, headlines, packaging, kids media, event flyers, playful, handmade, whimsical, offbeat, rustic, expressiveness, handmade feel, humor, attention grabbing, texture, choppy, wedgey, wobbly, chunky, textured.


Free for commercial use
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A chunky, hand-cut display face with irregular, chiseled contours and uneven stroke edges. Forms lean on broad verticals and simplified, blocky counters, with frequent wedge-like terminals and slightly flattened curves that give rounds (C/O/Q) a carved look. The rhythm is intentionally inconsistent: widths and sidebearings vary noticeably, joints look pinched or overbuilt, and details like the dot on i/j read as small, angular marks rather than perfect circles. Overall spacing feels lively and slightly rough, emphasizing silhouette over precision.

Works best for short, attention-grabbing text such as posters, headlines, cover art, playful branding, and packaging where a handmade, quirky texture is desirable. It can also suit event flyers or themed collateral that benefits from an informal, slightly chaotic energy, but is less suited to long-form reading or small UI text.

The font projects a playful, mischievous tone—more cut-paper or stamped than engineered. Its imperfect geometry and bouncy texture suggest humor, quirkiness, and a casual DIY attitude, making text feel animated and a bit rebellious.

Designed to prioritize personality and texture over typographic neutrality, using deliberately uneven outlines and wedgey terminals to create a one-off, hand-fashioned display voice. The intent appears to be quick recognition and expressive impact, with consistent roughness across letters and numbers to support decorative messaging.

Capitals are especially emblematic and poster-like, while lowercase maintains the same rough-cut logic with compact, sturdy shapes. Numerals are heavy and simplified with the same faceted edge treatment, keeping a consistent decorative voice across the set. Readability is best when set with generous tracking and at larger sizes where the irregular edges can function as character rather than noise.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸