Sans Other Syja 1 is a very light, very wide, monoline, upright, normal x-height font.
Keywords: headlines, posters, logotypes, interfaces, sci‑fi, futuristic, techy, geometric, minimal, tech aesthetic, display impact, geometric system, sci‑fi tone, octagonal, angular, wireframe, modular, squared.
A geometric sans built from thin, monoline strokes with a distinctly angular, chamfered construction. Bowls and counters tend toward squared or octagonal shapes, with frequent clipped corners and occasional open forms that keep the texture airy. Curves are largely suppressed in favor of straight segments and hard joins, producing a modular rhythm; several letters incorporate unconventional internal strokes and terminal treatments that emphasize the constructed, schematic feel. Numerals follow the same rectilinear logic, maintaining consistent stroke weight and crisp corner behavior across the set.
Best suited to display contexts such as headlines, posters, game or film titling, and technology-themed branding where its geometric voice can lead. It can also work for interface labels or short UI strings at comfortable sizes, especially where a crisp, schematic aesthetic is desired, but it is most compelling in larger settings where the angular details remain clear.
The overall tone is futuristic and technical, evoking digital interfaces, sci‑fi titling, and engineered diagrams. Its sharp geometry and reduced stroke presence read as sleek and controlled rather than friendly, with a slightly experimental edge that suggests custom display work.
The design appears intended to translate a rigid, modular drawing system into a readable sans, prioritizing a constructed, techno-geometric identity over conventional grotesque neutrality. Its chamfered corners and squared counters suggest a deliberate attempt to feel digital and engineered, while remaining coherent across letters and numerals.
In text, the thin strokes and angular joins create a light, high-contrast-on-white impression where spacing and line breaks become visually prominent. The design’s consistent chamfering and boxy counters unify the alphabet, while the more idiosyncratic constructions in a few glyphs add a distinctive, branded voice.