Sans Superellipse Idmod 10 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Muller Next' by Fontfabric, 'Ramston' by Katatrad, 'Antry Sans' by Mans Greback, 'Karmaline' by Mysterylab, 'Sans Beam' by Stawix, and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, packaging, logos, signage, assertive, retro, playful, compact, punchy, impact, headline focus, retro modernity, brand presence, blocky, rounded corners, soft geometry, high impact, display.
A compact, heavy sans with softly squared, superelliptical curves and blunt terminals. Strokes stay consistent with minimal modulation, creating dense, dark letterforms and strong headline color. Counters are relatively tight and often rounded-rectangular, and many joins feel slightly pinched or notched, giving the shapes a carved, poster-like rigidity despite the rounded geometry. The lowercase is sturdy and simplified, with single-storey forms and a short, blocky feel; numerals match the same solid, compressed rhythm.
Best suited to headlines and short display copy where its dense weight and compact rhythm can deliver maximum impact. It fits poster titling, storefront or wayfinding-style signage, packaging callouts, and logo wordmarks that benefit from a sturdy, rounded-rectangle voice. For small sizes or long passages, generous sizing and extra spacing will help maintain clarity.
The overall tone is bold and attention-seeking, with a friendly roundedness that reads as retro and slightly playful rather than purely industrial. Its compact proportions and dense texture suggest signage and poster typography, conveying urgency and energy while staying approachable.
The design appears intended as a high-impact display sans that merges soft, rounded-rectangular construction with a firm, blocky stance. It prioritizes strong silhouette and compact rhythm for immediate recognition in branding and promotional typography.
The face relies on a strong silhouette more than internal detail, so spacing and counters become the main drivers of legibility. In longer lines the heavy color can feel intense, but in short bursts it creates a confident, cohesive block of type.