Sans Superellipse Giris 1 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Panton' by Fontfabric, 'Aspire Narrow' by Grype, and 'Block Capitals' by K-Type (names referenced only for comparison).
Keywords: headlines, logos, posters, packaging, signage, techy, industrial, sporty, bold, futuristic, impact, modernity, clarity, brand presence, utility, rounded corners, squared curves, blocky, compact, geometric.
A heavy, geometric sans with squared bowls and rounded corners, giving most curves a superellipse-like, rounded-rectangle construction. Strokes are consistently thick with minimal contrast, producing dense counters and a compact, sturdy silhouette. Terminals are mostly flat and blunt; joins and diagonals (as in V, W, X, and K) are crisp but softened by the overall corner rounding. The lowercase follows a utilitarian, mostly single-storey approach with simple apertures and tight interior space, keeping rhythm even and highly uniform across letters and numerals.
Best suited to headlines, branding, and display typography where strong presence and a modern, engineered character are desirable. It also works well for packaging, sports or tech marketing, and short UI or signage labels, especially at sizes where the compact counters remain clear.
The overall tone is confident and engineered, with a contemporary, tech-forward feel. Its chunky, squared-round shapes read as sporty and industrial, suggesting durability and performance rather than elegance or delicacy.
The design appears intended to deliver maximum impact with a clean, contemporary geometry—combining square-like structure with softened corners to feel modern and approachable. It prioritizes uniformity and bold silhouette for attention-grabbing display use.
The numerals match the letterforms with the same squared-round geometry, emphasizing legibility through clear silhouettes rather than generous counters. The design leans toward signage-like clarity at medium to large sizes, where the rounded-corner detailing and blocky proportions are most apparent.