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Free for Commercial Use

Sans Normal Pemoy 8 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Madani' and 'Madani Arabic' by NamelaType, 'Gilroy' by Radomir Tinkov, and 'TT Commons Classic' by TypeType (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, playful, bold, modern, approachable, attention, warmth, clarity, impact, approachability, rounded, soft-cornered, chunky, geometric, compact.


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A heavy, rounded sans with thick, even stroke weight and generously softened corners throughout. Curves are built from broad circular/elliptical forms, while straights end in blunt terminals that keep the silhouette compact and sturdy. Counters are relatively small for the weight, and joins are smooth, producing dense, high-impact lettershapes that remain clean rather than textured. The overall spacing and proportions feel steady and utilitarian, with simple, low-contrast construction and clear, geometric rhythm.

Best suited to headlines, posters, and brand marks where strong presence and quick recognition matter. It also fits packaging, labels, and signage that benefit from a friendly, high-contrast-against-background look. In longer text, it works most naturally at larger sizes where the tight counters and heavy color can breathe.

The tone is cheerful and confident, leaning toward friendly, contemporary display typography rather than formal editorial voice. Its rounded geometry and chunky mass give it a welcoming, toy-like warmth while still reading as modern and straightforward. The effect is energetic and attention-grabbing without feeling sharp or aggressive.

The design appears intended to deliver maximum impact with a warm, approachable voice—combining geometric roundness with solid, compact silhouettes for clear, contemporary display use. It prioritizes bold legibility and a playful, friendly personality over delicate detail or typographic refinement.

Round letters like O and 8 read as nearly circular, while diagonals in forms like K, V, W, X, and Z keep a compact, blocky stance. The lowercase maintains the same stout, rounded logic as the capitals, and figures are bold and graphic, suited to prominent numeric callouts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸