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Sans Faceted Tyto 6 is a bold, wide, low contrast, italic, normal x-height font visually similar to 'Midsole' by Grype and 'Refinery' by Kimmy Design (names referenced only for comparison).

Keywords: headlines, posters, sports branding, gaming ui, event graphics, techno, sporty, futuristic, aggressive, industrial, impact, speed, tech aesthetic, ruggedness, modern signage, angular, chiseled, octagonal, forward-leaning, compact.


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A heavy, forward-leaning sans built from crisp, planar strokes with corners clipped into faceted, near-octagonal shapes. Bowls and curves are largely replaced by straight segments and chamfered joins, producing a machined silhouette in letters like O/Q, C, G, and S. Strokes stay visually consistent in thickness, with tight apertures and slightly squared counters that emphasize a dense, high-impact texture. The lowercase follows the same geometry with simplified, sturdy forms and short ascenders/descenders, while numerals are blocky and angular for strong alignment in sequences.

Best suited for headlines, branding, and short bursts of text where impact and motion are desired—such as sports identities, racing or esports visuals, tech-themed campaigns, and punchy UI labels. It also works well for numbers in scoreboards, apparel marks, and promotional graphics where a rugged, engineered look is beneficial.

The overall tone is fast, hard-edged, and technical, suggesting speed, precision, and modern machinery. Its slanted stance and faceted construction give it an energetic, performance-oriented feel that reads as contemporary and assertive rather than friendly or neutral.

The design appears intended to translate a futuristic, machined aesthetic into a robust sans by substituting traditional curves with sharp facets and chamfers. The goal is clear: deliver high-impact display typography with a sense of speed and industrial precision while keeping forms simple and strongly recognizable.

Diagonal cuts recur across terminals and corners, creating a consistent "beveled" rhythm that helps the font feel cohesive in both caps and lowercase. In running text the tight interior spaces and strong angles produce a distinctive, patterned texture that favors display sizes over long-form reading.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸