Sans Other Ammot 2 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Skate' by DearType, 'Ad Design JNL' by Jeff Levine, 'MVB Diazo' by MVB, and 'ME Plastic' by Sudtipos (names referenced only for comparison).
Keywords: headlines, posters, packaging, logos, children’s media, playful, chunky, quirky, friendly, retro, attention, approachability, retro flavor, personality, rounded, soft corners, bouncy, cartoonish, compact.
A heavy, compact sans with softly rounded corners and subtly irregular curves that give the outlines a hand-cut, poster-like feel. Strokes stay largely uniform, with bulbous terminals and occasional asymmetry in bowls and joins that creates a lively, slightly wobbly rhythm across words. Counters are relatively small and enclosed, with tight apertures and a dense overall color that reads strongly at display sizes. Uppercase forms are broad-shouldered and simplified, while the lowercase stays straightforward and sturdy, maintaining consistent proportions and a stable baseline presence.
Best suited for headlines, posters, and short bursts of text where its bold texture and playful irregularity can carry the design. It can work well on packaging, event promos, and logo wordmarks that want a friendly, retro-leaning voice. For longer reading or small UI sizes, the dense counters and tight apertures may feel heavy, so generous size and spacing will help.
The tone is cheerful and informal, with a chunky, animated presence that feels approachable rather than technical. Its slight wonkiness and soft geometry suggest a retro, novelty sensibility—confident, loud, and friendly—suited to attention-grabbing messages.
The design appears intended as a characterful display sans that prioritizes impact and charm over strict geometric precision. Its softened corners and gently uneven curves aim to create a warm, energetic voice for branding and promotional typography.
The letterforms show deliberate idiosyncrasies (notably in curved letters and diagonals), which adds personality but can reduce clarity when tightly set or used very small. Numerals match the heavy, rounded construction, maintaining the same dense texture as the alphabet.