Sans Other Komar 5 is a regular weight, wide, low contrast, upright, normal x-height font visually similar to 'Amino' by Cadson Demak, 'Binate' and 'Global' by Monotype, 'Belle Sans' by Park Street Studio, 'Sans Beam' by Stawix, and 'Nuno' by Type.p (names referenced only for comparison).
Keywords: headlines, branding, posters, logos, packaging, futuristic, techy, architectural, industrial, experimental, distinctive identity, modular construction, tech styling, graphic texture, stencil-like, angular, geometric, segmented, constructed.
A constructed sans with monolinear strokes and a distinctly segmented, near-stencil build. Many letters are formed from straight-sided bowls and clipped curves, with deliberate breaks and notches at joins and terminals that create a modular rhythm. Curves tend toward squared arcs rather than fully round forms, while diagonals in letters like K, N, V, W, X, and Y feel sharply cut and mechanical. Numerals echo the same system, using flat cuts and small gaps that give the set a cohesive, engineered texture in both display and text lines.
Best suited to headlines, posters, and branding systems where its segmented detailing can read as a deliberate graphic motif. It can also work for logos and packaging that benefit from a technical, constructed voice, particularly at larger sizes where the internal breaks remain clear.
The overall tone is modern and technical, with an engineered, slightly sci‑fi personality. Its broken strokes and hard cuts suggest machinery, interfaces, and industrial signage rather than warm editorial typography, giving it a confident, forward-looking feel.
The font appears designed to reinterpret a plain sans structure through a modular, cut-and-assembled approach—adding strategic gaps and squared-off curves to create a distinctive, contemporary identity while keeping proportions familiar enough for straightforward setting.
The design’s recurring gaps and clipped terminals create strong visual patterning and can become a defining texture in paragraphs. The more unconventional constructions (especially in curved letters and some numerals) emphasize style over neutrality, making the face feel purpose-built for branding and graphic moments.