Sans Superellipse Asniw 5 is a light, very narrow, medium contrast, upright, very short x-height font.
Keywords: posters, headlines, logos, packaging, titles, art deco, experimental, quirky, theatrical, retro, retro modernism, graphic contrast, display impact, quirky branding, condensed, monoline, geometric, rounded corners, superelliptic.
A condensed, monoline sans with a distinctive split personality: many letters are drawn as fine, single-stroke outlines, while select stems and bowls appear as dense, rounded-rectangle “inked” slabs with small internal counters. Curves tend toward superelliptic geometry—squared-off rounds with softened corners—especially in O/0-like shapes, while other glyphs lean on tall verticals and sharp joins. Terminals are generally blunt or softly rounded rather than tapered, and the overall rhythm is narrow with occasional width jumps that give the texture a syncopated, display-driven cadence.
Best suited to display settings where its high personality can be appreciated—posters, title treatments, album or event graphics, and distinctive logotypes. It can work for short bursts of text (taglines, labels, pull quotes) but the alternating dark blocks and ultra-condensed proportions make it less appropriate for long-form reading.
The font reads as playful and slightly mysterious, mixing elegant, jazzy narrowness with unexpected black blocks that feel like spotlight hits. It evokes a retro stage-poster mood—part Art Deco, part experimental signage—creating a sense of eccentric sophistication rather than neutrality.
The design appears intended to reinterpret a condensed geometric sans through a superelliptic lens, adding deliberate disruptions—filled vertical blocks and inset counters—to create a memorable, graphic signature. Its construction favors striking silhouette and texture over uniform typographic color, aiming for a stylized, attention-grabbing voice.
The alternation between airy outline forms and heavy filled components is a defining motif and becomes more pronounced in running text, where it creates a peppered pattern of dark accents. Numerals and punctuation follow the same tall, condensed logic, with rounded-rectangular counters appearing in figures like 0 and 8, reinforcing the geometric theme.