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Free for Commercial Use

Wacky Aske 6 is a very bold, normal width, very high contrast, upright, normal x-height font visually similar to 'Conamore' by Grida, 'Madani' and 'Madani Arabic' by NamelaType, 'Almarose' by S&C Type, 'Mundial Narrow' by TipoType, 'TT Norms Pro' by TypeType, and 'Grold' by Typesketchbook (names referenced only for comparison).

Keywords: posters, headlines, stickers, packaging, album art, playful, grunge, retro, rowdy, handmade, attention-grab, distressed print, diy energy, retro grit, playful impact, distressed, chunky, rounded, stencil-like, weathered.


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A heavy, chunky display face built from simple geometric forms—broad bowls, compact counters, and mostly rounded corners—interrupted by irregular chipped-out gaps that create a distressed, stencil-like texture. The letterforms keep an upright stance and a fairly even baseline, but the internal cutouts vary from glyph to glyph, adding jittery rhythm and visual noise. Shapes are generally wide and blocky, with simplified joins and terminals; the distressing occasionally nicks stems and curves, producing high-impact silhouettes especially at larger sizes.

Best suited for short display settings where the distressed texture can be appreciated—posters, headlines, stickers, event flyers, packaging callouts, and entertainment or music-related graphics. It also works well when you want a pre-aged, printed-on-rough-stock look without adding separate texture effects.

The overall tone is mischievous and rough-around-the-edges, combining a friendly, rounded base with a scuffed, worn finish. It reads as energetic and rebellious rather than refined, suggesting DIY posters, skate/garage aesthetics, or playful “ruined print” effects.

The design appears intended to deliver maximum visual punch with a friendly block structure, then disrupt that stability with intentional erosion to create character and attitude. The consistent underlying geometry keeps it usable for bold messaging, while the irregular cutouts provide a distinctive, one-off personality.

In text, the distressed holes and chips become a defining texture; spacing appears intentionally loose enough to keep the heavy forms from clumping, but the erosion can reduce clarity in smaller sizes. Numerals and capitals match the same bold, simplified construction, keeping the set visually cohesive despite the irregular wear pattern.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸