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Sans Superellipse Esres 1 is a bold, normal width, low contrast, italic, normal x-height, monospaced font.

Keywords: ui labels, sports branding, headlines, posters, wayfinding, technical, sporty, industrial, futuristic, utilitarian, speed, clarity, systematic, impact, modernity, squared, rounded corners, slanted, compact, stencil-like.


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A slanted, heavy sans with squared, rounded-corner geometry that reads like rounded rectangles and superellipse-inspired curves. Strokes stay largely uniform, with clean terminals and tight, efficient counters that keep the texture dense and even. Curves (notably in C, G, O, S and the numerals) are built from softened corners rather than fully circular bowls, while diagonals in A, K, V, W, X and Y add a brisk, forward rhythm. The overall construction feels engineered and consistent across caps, lowercase, and figures, producing a crisp, grid-friendly presence in text.

Well-suited to compact UI labeling, dashboards, and interface elements where consistent spacing and a firm silhouette are useful. It also works effectively for sports and tech branding, punchy headlines, posters, and signage-style applications that benefit from a fast, engineered look. In longer passages it creates a dense, assertive texture best used when a technical or industrial voice is desired.

The tone is fast and functional, combining a sporty urgency with a technical, instrument-panel flavor. Its squared rounding and steady rhythm give it a modern, industrial confidence rather than a friendly or expressive warmth. In running text it feels like a purposeful UI or equipment label style—direct, compact, and slightly aggressive.

The design appears intended to deliver a modern, performance-oriented sans that stays highly structured and space-efficient while retaining softened corners for clarity. Its geometry suggests a focus on system-like consistency and a recognizable, engineered silhouette that holds up in both single-line labels and emphatic display settings.

Uppercase forms are broad-shouldered and angular, while lowercase shapes keep the same squared-round logic for bowls and joins, helping maintain a uniform typographic color. Figures share the same sturdy build; the 0 is clearly differentiated, and the set has a strong display-like presence even at moderate sizes. The slant is consistent and contributes more to speed and emphasis than to calligraphic softness.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸