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Sans Normal Oddos 13 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Izmir' by Ahmet Altun, 'Chamelton' by Alex Khoroshok, 'Organetto' by Latinotype, 'Kommon Grotesk' by TypeK, and 'Bulltoad' by Typodermic (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, sports, bold, friendly, sporty, modern, punchy, impact, bold branding, display clarity, sporty tone, poster use, geometric, rounded, blocky, compact, high impact.


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A heavy, geometric sans with broad, rounded bowls and squared terminals that keep the silhouette sturdy and compact. Curves are smooth and circular-leaning while joins and cut-ins are simplified, giving many letters a slightly “carved” look without any true stroke contrast. Counters are relatively small for the weight, and forms like C, G, O, and S read as thick, even shapes with consistent curvature. The lowercase is robust and wide-shouldered, with single‑storey a and g, a short-armed r, and a simple t, all designed for dense, high-ink settings. Numerals follow the same blocky geometry, with strong, stable figures suited to headline use.

Best suited to headlines, posters, and bold branding where impact and immediacy matter. The weight and compact shapes make it effective for packaging, badges, signage, and social graphics, especially when set in short bursts of text. For longer copy, it will typically benefit from larger sizes and increased letterspacing to keep the texture from feeling overly dense.

The overall tone is confident and upbeat, with a friendly, approachable heft rather than a severe or technical feel. Its rounded geometry and compact counters create a punchy, energetic voice that feels at home in sporty, promotional, or youth-oriented contexts.

The design appears intended as a high-impact geometric sans for display typography, prioritizing strong silhouettes, smooth curves, and compact counters to deliver maximum presence. Its consistent, simplified construction suggests a focus on clarity and punch in large, attention-grabbing applications.

Spacing in the sample reads tight and headline-oriented, producing a solid typographic “wall” that emphasizes mass and rhythm over delicacy. The design’s simplified details and sturdy apertures help maintain recognizable letterforms even at very heavy weight, though the dense counters suggest it will be most comfortable at larger sizes or with generous tracking in longer lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸