Sans Faceted Asge 10 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Racon' by Ahmet Altun, 'EFCO Colburn' by Ilham Herry, 'Bringas' by Novitype, 'Dark Sport' by Sentavio, and 'FTY Galactic VanGuardian' by The Fontry (names referenced only for comparison).
Keywords: headlines, posters, sports branding, team apparel, packaging labels, athletic, industrial, retro, arcade, assertive, impact, geometric clarity, brandable display, signage feel, octagonal, chamfered, blocky, stencil-like, squared.
A heavy, faceted sans built from broad strokes and crisp chamfered corners, with curves consistently translated into angled, planar segments. Counters are compact and often rectangular, and terminals end in blunt, clipped forms that give the alphabet an octagonal rhythm. The uppercase is wide-shouldered and tightly constructed, while the lowercase maintains a sturdy, simplified structure with minimal modulation and strong internal geometry. Numerals follow the same squared, cut-corner logic, producing a highly uniform, sign-like texture in lines of text.
Best suited to short, high-impact settings such as headlines, posters, sports and team branding, apparel graphics, and packaging or product labels where a tough, geometric voice is desired. It also fits UI moments that mimic scoreboards or arcade aesthetics, especially at medium to large sizes.
The overall tone is bold and no-nonsense, evoking athletic letterforms, industrial labeling, and retro game or scoreboard typography. The sharp facets add a mechanical, engineered feel, while the dense color and compact counters communicate impact and urgency.
The design appears intended to deliver maximum punch with a consistent faceted construction, translating traditional sans forms into a cut-corner, machine-made vocabulary. Its compact counters and uniform geometry suggest a focus on creating a recognizable, logo-friendly texture that holds up in bold display use.
In text, the strong rectangular counters and frequent chamfers create a distinctive zig-zag cadence along horizontal strokes (notably in forms like E, S, and Z). The design’s geometry favors hard angles over softness, which increases presence and theme but can make long passages feel dense compared to more open grotesques.