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Sans Superellipse Iblog 6 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Prenton RP' by BluHead Studio, 'FF Meta Headline' by FontFont, 'Akwe Pro' by ROHH, and 'Acorde' by Willerstorfer (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, confident, playful, contemporary, chunky, impact, approachability, modernity, display clarity, brand voice, rounded, soft corners, geometric, compact, sturdy.


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A heavy, rounded sans with a superelliptical construction: bowls and counters lean toward squared circles, and terminals finish with softened corners rather than sharp cuts. The strokes maintain an even, solid color with minimal modulation, creating dense, poster-ready texture. Proportions are compact and blocky, with a prominent x-height and relatively short ascenders/descenders; rounds (O, C, G) read wide and cushiony, while straight-sided letters (E, F, H, N) stay rigid and rectangular. The lowercase forms are simplified and sturdy, with single-storey a and g, large apertures, and counters that stay open despite the weight; numerals are similarly rounded and substantial, designed for impact more than delicacy.

Best suited for big, high-impact text such as headlines, posters, signage, packaging, and bold brand wordmarks where its rounded geometry can read clearly and feel inviting. It also works well for short UI labels or callouts when a friendly, emphatic voice is needed, but is less ideal for long body text due to its dense weight and compact counters.

The overall tone is bold and approachable, combining friendly rounded geometry with a confident, no-nonsense presence. It feels contemporary and slightly playful—more “soft power” than aggressive—making it suited to attention-grabbing messages that still want to appear welcoming.

The design appears intended to deliver maximum impact with a softened, approachable character—using superelliptical rounds and rounded terminals to keep a very heavy silhouette from becoming severe. It emphasizes clarity, punch, and modern friendliness for display-driven typography.

The font produces a strong typographic color and tight rhythm, especially in all-caps settings, where the rounded corners prevent the texture from feeling harsh. At smaller sizes the heavy weight may compress interior space, so it reads best when given room (larger sizes, generous leading, or shorter lines).

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸