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Free for Commercial Use

Sans Superellipse Hudoy 4 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Bolton' by Fenotype, 'Avilock' by Namara Creative Studio, 'Headlines' by TypeThis!Studio, 'Kelpt' by Typesketchbook, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, industrial, poster, athletic, confident, retro, impact, space saving, brand stamping, condensed, blocky, rounded corners, squared curves, compact spacing.


Free for commercial use
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This typeface uses heavy, compact strokes with squared-off curves and rounded-rectangle counters, creating a crisp superelliptic silhouette. The design is tightly drawn with condensed proportions, tall lowercase bodies, and short extenders, producing a dense, vertical rhythm. Terminals are mostly blunt and flat, with corners softened just enough to keep shapes from feeling sharp; bowls and apertures tend to be rectangularized rather than circular. The overall construction is geometric and sturdy, with consistent stroke color and minimal modulation, making the letters read as solid blocks at display sizes.

Best suited for headlines and short bursts of text where strong presence and compact width matter—posters, sports branding, storefront or wayfinding signage, and bold packaging. It can also work for large-scale labels and UI badges where a dense, high-impact word shape is desirable.

The tone is bold and assertive, with a utilitarian, no-nonsense character that feels at home in sports and industrial settings. Its compact, squared geometry adds a retro sign-painting and collegiate poster energy, while the rounded corners keep the voice approachable rather than aggressive.

The design appears intended to deliver maximum visual weight in a condensed footprint, using rounded-rectangle geometry to keep forms consistent and easily recognizable. It prioritizes punchy display readability and a cohesive, industrial-meets-retro aesthetic over delicate detail.

The figures and capitals share a unified, architectural build that emphasizes verticality and tight internal spacing. The lowercase shows simplified, sturdy forms suited to impact over nuance, and the punctuation and diacritics present in the sample maintain the same heavy, squared-curve treatment.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸