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Free for Commercial Use

Sans Superellipse Ibnuh 5 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Ramsey' by Associated Typographics, 'FX Neofara' by Differentialtype, 'Diamante EF' by Elsner+Flake, 'Penney' by Maulana Creative, 'Diamante Serial' by SoftMaker, 'TS Diamante' by TypeShop Collection, 'Hockeynight Sans' by XTOPH, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, industrial, sporty, poster-ready, assertive, modern, impact, space-saving, sturdy geometry, modern display, condensed, blocky, squared-round, compact, sturdy.


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This typeface is a dense, heavy sans with compact proportions and rounded-rectangle construction throughout. Curves resolve into squarish bowls and counters, giving letters like O, C, and G a superelliptical, boxy-round feel. Strokes are consistently thick with little visible modulation, terminals are blunt, and joins are robust, producing a uniform, high-impact texture in text. The lowercase maintains a large x-height with short ascenders/descenders, and the numerals follow the same compact, rounded-corner geometry for a cohesive, blocklike rhythm.

Best suited to short, bold copy where impact matters: headlines, posters, sports and event graphics, and assertive packaging. It also works well for signage and labels where a compact, sturdy lettershape helps maximize content within limited horizontal space.

The overall tone is forceful and utilitarian, with a contemporary, athletic edge. Its compressed footprint and solid silhouettes read as confident and attention-grabbing, suggesting signage, competition, and bold brand statements rather than quiet refinement.

The design appears intended to deliver maximum visual weight and legibility in a condensed footprint, using rounded-rectangle geometry to keep shapes friendly while remaining strong and industrial. Its consistent stroke mass and compact counters prioritize bold presence and clear, repeatable forms in display settings.

Tight apertures and small internal counters become more prominent as size decreases, so the design’s strength is most evident when it has room to breathe. The wide, rectangular forms and blunt endings create strong horizontal bands in multi-line settings, which can be used intentionally for a punchy, stacked-headline look.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸